Painting in Partnership encouraged us to stretch with some bold choices. We trusted their experience and now have a 'masterpiece'.
- Lori and Don Lyon, Arlington Heights
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Standardized Painting Procedures Result in Uniform and Superior Quality for House Painting Projects

Have you ever been frustrated by painters’ lack of uniformity in the steps they follow to execute their house painting work? Understandably, painters working for painting contractors rarely, if ever, receive any formalized training on the procedures to follow to produce consistent, craftsmen-level work.

Next time you have painters in your house, observe how they go about painting doors in your house. Commonly, you will see one of painters start by painting the top rail. Another will start on the top right panel. Yet, another may start with the bottom left panel. In addition to being confusing to the client watching this action, such activity is inefficient and results in poor and inconsistent quality.

The solution to this quagmire is: Standardized Painting Procedures (SPPs). What are SPPs? They outline the step by step procedures to execute a given painting task and produce craftsman-level work. SPPs resolve one of painting contractors’ biggest problems, which is the lack of uniform painting practices within their companies. By using SPPs to train their painters, house painting contractors create a uniform standard for the quality of the work performed.

The other major benefit of implementing such painting procedures is that a painting contractor gains the assurance to consistently being able to deliver on his or her promises to clients. Additionally, painting projects get completed more quickly, more efficiently and with virtually no re-dos.

Painting in Partnership, Inc. tailored its own SPPs after the national standardized painting procedures developed by the Craftsmanship Forum, an arm of the PDCA (Painting and Decorating Contractors of America). The implementation of these procedures is vital to our on-going success as a house painting company.

Chicago Historic Restoration Requires an Understanding of Original Building Materials

Doing paint restoration on vintage buildings requires an understanding of the nature and function of building materials, such as old growth timbers, wood, masonry, mortars and plasters.

Wood deteriorates and rots. In some occasions, windows, doors or trim can be restored using epoxy consolidants and fillers. Vintage old growth wood can only be replaced at a high cost. Modern woods cannot approach the quality of the woods used in old homes. This is why it is important for a house painter to assess the condition of wood and make informed decisions regarding its restoration. Restoring vintage wood makes sense!

Understandings mortars and their function can also be very helpful. In vintage or historic houses, lime mortar was commonly used. It was designed to be softer than the brick or stone, so that moisture could escape through it. Painting masonry interferes with the proper functioning of mortars. The migrating moisture will cause the paint to fail and peel. However, lime paints and lime washes can safely be used in paint restoration because they naturally bond to the masonry, without interfering with the proper functioning of the building.

Plaster walls and ceilings, as well as plaster decorations and trim elements also deserve close attention. Plaster is held in place by the keys formed when the first plaster layer was forced through the lath. Over time, these keys break and cause the plaster to crack. House painting contractors working on vintage houses need to understand plaster, so that they can properly repair it or know when to call in a plasterer to do the more demanding work.

Plaster Crown from Chicago Mansion

Plaster Crown from Chicago Mansion

Here is a picture of the cast for a plaster crown section that will used to replace a damaged area in a Chicago mansion. For this kind of repair, as house painting contractors, we would call in the master plasterers!

Lastly paint analysis, for instance, can also be used to provide vital information on the historic colors and paint finishes used for the interior painting and exterior painting of buildings.

House painting contractors who are well educated on the materials used in old houses can better understand how paints and paint finishes can affect those materials and vise versa. From that greater understanding, painters can create added value for their clients by using more appropriate work methods and procedures or refer the more specialized tasks to other experts’ hands.

How to Choose a House Painting Service

Selecting a house painting contractor can be a daunting task and choosing a painter on price alone can be a very costly mistake. Here, is a list of four major risk factors and ten questions you can ask to help you decide which painting contractor represents the best value for your particular needs and your tolerance for risk.
The four risk factors are:

1- Assessing Financial Risk:
Not every painting contractor represents the same level of financial risk to you. Do they carry liability and workmen’s comp insurance and do they have their own employees, instead of subcontractors? If the answers are yes, your financial exposure is much lower. Additionally, it is important to note that if the painting contractor is a small operator and will work hands-on as a painter on your project, he/she most likely is excluded from the policy; in which case, the risk would falls back on you if he/she is injured on your painting project. So asking if the owner-painter is excluded from the policy is a good idea as well.

2- Assessing Reliability and Professionalism:
Does the painting contractor belong to PDCA (Painting and Decorating Contractors of America)? Are they accredited as contractors by PDCA? Do they perform background checks and drug testing? If the answers are yes, this painting company has invested in being knowledgeable about the painting business and is committed to operate in a professional manner.

3- Assessing the Likeliness of a Successful and On-Time Project:
Does the house painting contractor have an Employee Training Program and a Safety Program? If they do, their employees will likely perform at a higher level and in a more consistent manner, while using safe work practices. These factors will contribute substantially to a successful outcome for your house painting project.

4- Assessing the Likeliness of a Long-term Relationship:
Is it important to you for the painting contractor you choose to be someone you can call ”My Painter for Life”? If so, ask the following three questions. Are they a member of their local Chamber of Commerce? Do they warranty their painting work? Do they have an up-to-date website? If the answers are yes, you have a painter who takes a long view about their business and is more likely to value a long-term relationship with you as a customer.

As a consumer, when you compare painting contractors, you assess their TRUE Value to you, based on what is most important to you.

Painting in Partnership, Inc. has developed an easy-to-use form you can download from our website. It enables you to actually quantify your risk in choosing a painting contractor. Click here to download the form.

House Painting in the North Pole – A Color Consultation Extraordinaire

Exterior painting in Chicago? Sure! However, exterior painting in the North Pole does not seem to be a likely prospect and neither does a color design consultation to develop a color scheme for an entire town of 1,400 inhabitants. Yet, both happened in a coal mining town called Longyearbyen in Norway, the most northern town on earth.

What makes it an unlikely scenario is that, in a climate this cold and dry, wood does not rot. Therefore, there is no need to use exterior painting as a means to preserve wooden structures, which is a nightmare scenario if you are a house painting contractor in the area. Consequently, without the colors that paint would have added to the décor of the town, the predominant colors, for most of the year, were black, white and every shade of gray.

Another critical factor was the wildly varying amount of light through the year, from total darkness for 3 months to twenty four hours of sun in the few summer months. The rest of the time, there are blue shadows and a sky that changes from pink, to turquoise to lilac.

Most of the town’s buildings are owned by a coal mining company. In 1981, in a bold and visionary move, the Board of Directors of the coal company hired Grete Smedal, a renowned environmental designer and color expert, to develop a color scheme for both housing and public buildings in the town. Having understood the power of color to enrich one’s environment, the Board presented Ms. Smedal with the challenge and the opportunity of a lifetime.

In 2004, I had the great pleasure and privilege to meet Grete in Trumso, Norway, at an international conference of painting contractors. After the conference , she sent me a copy of the book she had written on this unique color design and painting project.

After much study and deliberation, Grete finally settled on a color palette of almost equal whiteness, blackness and chromatic intensity. All the colors were of medium lightness, which allowed the color scheme to offer sufficient contrast in any season.

The actual exterior painting was executed in the 80s and 90s, which brought a smile to the local painting contractors. Ms. Smedal gave the school building a special color treatment. She had a row of 50+ windows painted in the colors of the rainbow. In her book, published in 2001, entitled “Longyearbyen in colors – status and challenges”, she quoted an anonymous miner who wrote the following:

“A span of the rainbow over summer wet meadow,
Is it a dream of a time you have left?
Much is forgotten, but may be not this:
The hunt in the woods for the rainbow’s end.

Just before the darkness of fall shadows the sun
You see a vision and then you see that
The end of the rainbow has hit on the school.
The treasure of Knowledge is the happiness you sought.”

Picture of Longyearbyen's School

Picture of Longyearbyen's School

Here is a picture of the school in the Fall:

Thanks Grete Smedal for your magical work in the North pole!

Color and painting have the power to add great value to people’s life. This is the belief that inspires everything we do at Painting in Partnership, Inc., painting contractors in the Chicago area.

Faux Painting a Chicagoland Park Bench

Decorative painting and faux finishing can evoke powerful emotions, bring a smile to your face and give you a jolt of positive energy. Painting in Partnership just painted a Palatine park bench that has that impact on people passing by.

Koi fish, with their big eyes, soft mouths, colorful skins and inviting demeanor, were perfect subjects for Painting in Partnership’s decorative painting project. our color design consultant, mural painter and decorative finisher all worked as a team to create this colorful mural design.

Faux-Painted Koi Pond Bench

Faux-Painted Koi Pond Bench

We painted a mural scene of seven Koi fish in a pond, complete with lily pod leaves, water bubbles and water droplets painted on the leaves in realistic trompe l’oeil fashion. To add a whimsical touch, our muralist painted her hand holding a brush, while putting the final paint stroke on a fish. We then applied a decorative metal finish to the arms and back of the bench to complete the painting.

As you glance at the bench, you are drawn in, touched and inspired. This is the experience that our team of outstanding painting craftsmen, faux finishers and color experts are committed to deliver to you every time.

Painting in Partnership’s reputation for outstanding house painting extends way beyond the Chicago area. We have received many national awards for interior painting, exterior painting, historical restoration and f aux finishing. This painting project was completed as part of Palatine’s Best Seat in Town, a community project to benefit local charities.