The walls are far too beautiful, and anything that hopes for a place in front of our walls will have to prove its worth first.
- Richard Medina, Palatine
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Beyond Wood and Stone: An Insight into Relationship

Many years ago, a painting contractor colleague who was visiting me from the East Coast made a comment after seeing my office: “You are deep” he said. I think that what he meant was that when I look at something, I seem to naturally uncover deeper meanings and connections. Sometime, without realizing it consciously, I begin to put things together and the meaning is later revealed. Read on for a vivid example: a montage of stones and wood with, indeed, a deeper meaning.

Stone and Wood Montage

Stone and Wood Montage

Once in a while, I go to my favorite lumbar yard. It carries a wide array of the most awesome exotic woods in the Chicago area. On a visit, several months ago, I stumbled upon a piece of figured, burled walnut. In my eyes, the obvious defects of this piece of wood added to its beauty. I had to buy it!

A few months later, I had the opportunity to visit Taliesin West outside of Phoenix, the former working studio of one of my heroes, Frank Lloyd Wright. Walking around in the fields surrounding the property, I came across four stones. Two of those stones had triangular shapes, which attracted me because of the triangle theme at Taliesin West. The fourth stone was totally black and was perfectly smooth. This was indeed a one-of-a-kind stone in this arid landscape!

The final element of my montage was given to me many years ago by a carpenter. He had cut red hearts out of a plastic material for a class he was teaching. For some reason, I hung on to this heart. I placed it next to my montage. One day, in passing, my wife suggested inserting the heart in the upper cavity of the wood block. I said OK.

What first attracted me to that piece of wood were the natural wounds inflicted upon this tree. Somehow, those same wounds added unique character and beauty to the wood piece. One day, my I.T. person was over to work on my desktop. Having told him about my montage, he said: “There is a man and a women kissing!” Can you see the two profiles in the wood grain? Then, the full meaning of my montage was revealed.

How can I find a deeper meaning in this assembly of stone and wood? Well, here it is! Man and woman are attracted to one another. With love (the heart) and a strong dose of God’s help (triangles), the wounds inflicted by life that challenge relationship can be overcome and help produce true and beautiful relationship. To stay in balance (black stone) is not easy. Sometime, when things get “rocky”, one loses balance and falls to the ground. With God’s help and the help of others, balance is regained anew, until the next fall. True relationship is God’s intent for all of us.

As a person and as a painting contractor, depth is a quality I bring to my conversations with clients, employees and how I view situations and opportunities in the painting industry.

Dealing with Hidden Mold on a House Painting Project

Peeling Paint on Gables

Peeling Paint on Gables

On this exterior painting project, a quick look at the front gables does not reveal anything out of the ordinary: just peeling paint; another day in the life of a house painter, right? Not so fast. Look closer. Behind the paint that already peeled, there is the original coating. What is going on here? Is there an adhesion problem?

The top coating seems to be delaminating from the original coating. Why? How extensive is this problem? Is there an adhesion problem here? Those are questions Chicago’s Painting in Partnership needed to answer in order to give its client the best possible paint job.

In order to ascertain the answers to these questions, we did some testing. We applied strips of masking tape over what looked like a perfectly sound, painted surfaces and then yanked them off. Oh my! All the paint comes off! Behind the top layer of the paint was a mildew infestation. This is why the top layer of the paint was failing!

Sound-Looking Painted Surface

Sound-Looking Painted Surface

Mildew-Infested Original Coating

Mildew Infestation Underneath the Last Coating

How could this have happened in the first place? The house being fifteen years old, we speculate that the original trim was factory stained and then installed on the house. The house probably sat for months with that factory finish, while the house was being finished on the inside. Before tuning it over to its buyer, we think the house was given a quick coat of paint to “dress things up”, without the proper cleaning of the surfaces and killing the mildew spores. The new coating created darkness and allowed mildew to multiply between the two coatings and eventually cause the paint failure.

To properly execute this exterior house painting project, we had to remove the old paint wherever our tests revealed the mold problem. We used scrapers to remove the failed coating. After the removal process, we killed the mildew and power-washed the surfaces. We then had another round of scraping to remove any paint loosened by the power washing. Finally, we primed all bare wood with an oil primer.

This project exemplifies the care Painting in Partnership invests in every project to ensure the long-term satisfaction of our clients with all the house painting work we do.

The Meaning of Vacation for this House Painter

I recently took a vacation from my painting contractor business and made an 8-day trip to San Francisco and Northern California with my family. It was a delightful trip, filled with wondrous nature moments and City sites as well.

Stones from Mendocino, California

Stones from Mendocino, California

Upon my return, I had an opportunity to reflect on the meaning of “vacation”. I shared with my Office Manager that I spent two hours looking for stones on a coastal beach in Mendocino. She said: “You did what? You must have had a lot of time on your hands!” She was right!

This section of beach was covered with course charcoal color sand – a most unusual sight! On the sand, or partially covered, laid countless stones that had been polished and rounded off by nature’s handy work. I was fascinated by them and started looking for stones, of different sizes, that could be stacked on top of one another to create a sort of “rocky montage”. I could not wait to get to my office to sort through my stones and create my montage! It is shown in the attached picture.

To me, vacation is about getting lost in what I love, without the constraint of time. As a painting craftsman, I love nature and its handy work. It is an endless source of delight and inspiration for me. The work of nature affirms that patient and steady work accomplishes great things! Those are qualities I strive to demonstrate every day in my painting contractor business.

What a House Painter Knew About the Hazards of Lead in 1772

Painters have long known about the hazards of lead. Lead in paints was made illegal in the United States in 1978. In France and other European countries, it was banned in the late 1910’s. However, the hazards of exposure to lead dust and vapors had been known and documented nearly 250 years earlier!

A painter from Paris, by the name of J. L. Watin, published a book in 1772 entitled: “ The Art of Painting, Gilding and Varnishing” (translation). Among other things, this book graphically describes the symptoms of a disease known as “painters’ colic” or “ceruse”. What was he talking about?

A Painter - Victim of Lead Poisoning, Circa 1772

A Painter - Victim of Lead Poisoning, Circa 1772

What Mr.Watin was describing were the effects of lead poisoning arising out of the work practices of folks involved in trades that generated lead dust or lead vapors, like painters, metal workers, decorators etc.. At this point in time, lead was even used to “soften” wines and were called “vins sophistiques” (sophisticated wines). Work practices were indeed unreflective of the actual dangers of lead, such as wetting one’s brush with one’s saliva.

The author goes on to describe the symptoms of lead poising, for painters in particular. First, there is an acute pain in the stomach area, difficulty breathing, anxiety, and vomiting. As the disease progressed, the pain level would grow. I will spare the graphic descriptions given by the author. The picture I made part of this story depicts a victim of “painters’ colic” being hauled out of his house. Next to the front entrance were his ladder and cart.

Fortunately, times have changed. Knowledge and awareness have grown and lead poisoning of the intensity described in Mr. Watin’s book have all but disappeared. The work practices of the painting industry are now regulated by EPA lead rules known as RRP Rules. Contractors now have to be “Certified Lead Safe Firms” and the painters have to be certified as well. I am happy to say that Painting in Partnership, from the Chicago area, is a “Lead Safe Firm” and that several of its employees are certified as well.

Combining House Painting, Color Consultation and Million-Dollar Views

We just completed the interior painting of two condos at the Aqua building on Chicago’s lakefront. For many reasons, it was a real pleasure working on this project, one of which was being able to work in such beautiful, air-conditioned surroundings, while Chicago was going through a spell of 90-degree days!

Award-Winning Aqua Building on Chicago's Lakefront

Aqua Building on Chicago's Lakefront

One of the Condo's Many Views of Chicago

One of the Condo's Many Views of Chicago

A few weeks ago, I received an email from a good client: “We just purchased two condos in Chicago. Please help us with color selection and the interior painting.” They purchased a 3-bedroom unit on the 69th floor and a 1-bedroom on the 73d floor. The condos’ floors are stained

Color Scheme for 73d Floor Condo

Color Scheme for 73d Floor Condo

Color Scheme for 69th Floor Condo

Color Scheme for 69th Floor Condo

a dark brownish/blackish color and the bedroom carpeting is a sandy color. The smaller unit is to be occupied by the grown son and the other by the parents and their guests.

In contrast to the traditional décor of their suburban residence, our clients wanted an “urban” look to their condos. This is where the paint color consultation came into the picture. After four hours of consultation with the owners and the son, two different color schemes were arrived at. The son’s painting of John Lennon inspired a “Retro” look for his color scheme, as shown in the picture, with chartreuse, gold and gray as some of his colors. The parent’s condo took on a more “Urban Chique” look, with a rich brown to match the leather couch, taupe tones and gray shades.

Painting in Partnership, a house painting contractor located in the Northwest suburbs of Chicago, stands ready to meet the sophisticated needs of its clients in the both the color selection process and the impeccability of the craftsmanship of its interior painting.