Throughout the process I felt that achieving the 'right look' for a high-end architectural products showroom was just as important to you as it was to me.
- Richard S. Cohen, Feather River Wood, Wilmette
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A Chicago Wall Art Creation – Part 1: Involving the Client

A current wall art project is the epitome of our slogan as a painting and decorating contractor in the Chicago area: “We paint in partnership with YOU!”. In this case, the “you” is our client, the means is our color and concept consultation service and the object is a large wall art composition (16’x8’) our client wants to create for a large wall in his front stairway area.
Our client is an engineer and, therefore, very detailed-minded. He also likes to use his hands to build things in the physical realm. He approached us to help him design a large dimensional wall art creation. He told us he had some ideas and wanted to be involved in the creation of the physical elements, but was totally stymied in the development of the concept for the artwork and the decoration of the elements.

Sketch for Wall Art Creation

During the consultation, he described what he likes and dislikes regarding shapes, materials etc. We also presented him with a large amount of images and patterns to gain further insight into the elements of a design that would both appeal to him and, equally as importantly, permit him to use his hands and tools in creating the physical elements of the design, while having the design meet the spatial requirements.

This week, I presented a trial sketch of the ideas we came up with. He admitted that, at the outset, he had a fear that this process might not work. However, when he saw the sketch, he said: “You understood me – this is what I was hoping for. I am happy!” We could not have hoped for a better outcome: our client was not only pleased with the design, but also saw how he could use his skills to get involved in the creative process. Two days later, he was meeting with a buddy to discuss creating the physical pieces of the artwork. He is on his way now!

Once he is done with creating the physical elements, we will meet with him again to discuss color, texture and finishes for the elements. Our company will then proceed with the painting and decorating aspects of the project.

This is an outstanding example of how we use a consultative approach to involve our clients in the creative process of making vision of “home’ come alive.

A Vision of Painters

I view painting as a challenging and rewarding career opportunity. First of all, paint technology is in a constant state of innovation and improvement. A major impetus to innovation has been the stiffening of EPA regulations. Products that had been part of the painting landscape for generations have simply disappeared from shelves. A myriad of new waterborne products has emerged, each one requiring slightly different methods of application and even new tools. Also, boutique companies have emerged all over the country, which provide specialized products for a host of painting applications. These changes require painters to educate themselves and stay current with paint technology. The Internet has made gaining that knowledge easier than ever.

Painting Careers1

Painting is also a field that requires focus and the active engagement of all human senses for optimal performance: mind, eyes, touch and ears. The ears, really? Yes. I have often said: “listen to what the wall is telling you”. For instance, did you know that the sound of a brush gliding on a surface gives you information on the amount of paint still remaining in the brush? I call this active engagement of the senses: vigilance. Vigilance is the ability to be focused mentally, so that, as a job unfolds, all issues can be handled effectively, in a cost efficient manner.

Painting also has an aesthetic and artistic dimension. Painters make things look better by adding to their aesthetic qualities in four different ways: symmetry, harmony, balance and order. As painters gain competency in applying aesthetic principles, they become trusted advisers in helping to beautify a client’s environment.

Painting Careers 2

Over time and through dedication, a painter learns to master the medium, the tolls and the techniques necessary to produce the desired result, every time, while making it look effortless.

That brings me to the last part of my vision for painters: the heart. Engaging the heart is the biggest opportunity of all. Painters can be problem-solvers and creators of beauty in people’s lives. When that becomes the true motivation, it inspires a passionate pursuit for being a true painting craftsman! The rewards are awesome: self-respect, pride, satisfaction, recognition, status, even fame and money!

Painters who share that vision for their work have a home in my painting and decorating company in the Chicago area.

To Give the Look of Real Metal, Use Metal leaf!

Gilding is an ancient decorative art form. Egyptians loved it and Romans went gaga over it. It consists in the laying of real metal leaf over the exterior of an object or a surface, using a tacky varnish as an adhesive for the leaf to bond to. The metals used can range from real gold, silver, platinum, copper, aluminum and imitation gold, among others. Acids or glazes can also be used over the gilded surface to distress it. A glossy varnish is often used to protect the gilded work from abrasion or oxidization. When the gilding is completed, the decorated piece has the brilliance of real metal! Upon closer examination, the square shape of the metal leaves can be seen in the final work, which is the distinctive mark of gilding.

Gilded Pedestal

Pedestal Before Gilding

We were recently contacted for our decorative finishing expertise by a client in the Chicago Northwest suburbs. The client had two pedestals, which had been sprayed with an acrylic metallic paint and a clear glossy varnish coat. That process made the pedestals look like plastic and the client did not like that look at all. She wanted the pedestals gilded with imitation silver leaf and coated with a protective high-gloss varnish. She wanted the look of the real stuff!

We took on the project and completed the work within a week. When you want the look of real leaf, that it be to adorn moldings, architectural elements, a ceiling, wall or a special object, gilding is the approach of choice.

Resetting the Clock on Oxidized Grasscloth Wallpaper

Grasscloth wall coverings are made of natural plant fibers and offer a warm, inviting and textured look to a room. However, grasscloth has one major drawback: the fibers oxidize, especially when exposed to sunlight. So, if you were in love with the color you originally selected for your wall covering, you may be disappointed to see it change color quite rapidly. What can be done to correct this pesky problem?

Recently, a client called on Painting in Partnership, a painting and decorating contractor from the Chicago area, to address that same issue. The original color of the grasscloth was a light cream color, which matched his monochromatic surroundings. Within a few months, the wallpaper started to take on yellow and gold tones, as shown on the far left of sample on.

Before and After Treating Oxidized Grasscloth

Considering the fact that the client had twelve hundred square feet of that wall covering installed only a year earlier, removal was not an option. Therefore, we devised a method to restore the look of his original wallpaper. As a first step, we used a dead-flat waterborne varnish to first seal the grasscloth and also stop any future oxidization, as shown in the middle stripe in the picture. We then experimented with different densities of a transparent waterborne cream glaze to help bring back the original tones, without making it look like the paper had been painted over (see stripe on right). The treatment still allowed the original irregularities in color to continue to show through the glaze. The client was delighted!

Can you prevent oxidization from occurring on your freshly installed grasscloth? Yes indeed! Once installed, the paper can be coated with the same dead-flat varnish.

Forensics of Peeling Paint on Cedar Siding

Over the years, in our exterior painting work in the Chicago area, Painting in Partnership Inc. has encountered a troubling issue with cedar siding: peeling paint (or stain) that comes off in sheets, all the way down to bare wood on the sunniest side of the house. Additionally, on the back of the paint chips are dead wood fibers embedded in the chip. What is going on here?

This problem is part of an ongoing analysis and investigation we, as house painting contractors, are conducting, in order to provide our clients the best possible results for their paint job. When dead wood fiber is present on a surface, it cannot be successfully painted or stained. Before too long, especially in the areas most exposed to the sun, the coating will massively fail.

Peeling Paint on Cedar Siding

There are two issues raised in this last paragraph. First, what caused the dead wood fiber in the first place? There can be several potential reasons, but a common one is exposure to sunlight before the wood is coated for the first time (when the house is first built). The ultraviolet light degrades the lignin and causes cellulose fibers to dry out and causes the wood surface to lose structural integrity. The gray color of the resulting wood fiber is similar to the brown or red tones of sunburn on skin.

The other issue we are dealing with here is: why is “sunburned” wood more susceptible to paint failure, especially on the sunny sides of a house? A paint or stain cannot properly adhere to dead wood fiber. After such wood is coated, the stresses caused by sun on the wood surfaces is such that the coating actually detaches from the substrate, leaving it susceptible to cracking, blistering and complete failure.

How do you deal with the problem: coating removal, partial or complete. The problem with a partial approach is that the coating that does not come off now, will fail later. Depending on the severity of the delaminating, we sometime recommend the complete stripping of the coating. What about the dead wood fiber? It has to be sanded down. Sometimes, the surfaces are so degraded that sanding is not effective. In such cases, we coat the bare wood with a liquid epoxy consolidator, which acts as a replacement for the lignin and binds the wood fibers back together again.

As house painting contractors, we seek to understand the cause of paint failure, so as to prevent future ones from occurring. We call that part of our work as the “forensics of paint failure”.