We realize working in a historic Victorian presents a unique set of conditions and requirements and you continually meet or exceed our expectations.
- Ed Fortino and Dayle Duchossois, Chicago
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Author Archive for Mario – Page 26

House Paint Catalog, circa 1916

Seroco House Paint Catalog - Front Cover, circa 1916

Seroco House Paint Catalog - Front Cover, circa 1916

In our role as “Custodian” of the painting industry’s past, Painting in Partnership from the Chicago area, has assembled a large collection of paint memorabilia, which we plan on displaying in a “virtual” paint museum in the not too distant future. I would like to tell you about our most recent paint memorabilia acquisition.

An antique book dealer contacted me recently. He had made a rare find: a 40-page, 1916 edition of a Seroco Paints catalog. It was the equivalent of a paint store in print, with a few hundred products, including color charts, tools, ladders and a broad array of paints, clear finishes and sundries.

How did the Seroco name came about? It was derived from combining the first two letters of the name of a famous retailer: Sears, Roebuck and Co. from Chicago. The company offered a complete line of paints from house paints, barn paints, buggy varnishes etc.

Why is it significant that Sears was involved in the paint business? Because of its vast distribution network

Seroco House Paint Catalog - Rear Cover, circa 1916

Seroco House Paint Catalog - Rear Cover, circa 1916

and its huge catalog business, Sears had considerable influence over the color choices of Americans for their homes, inside and out. Another part of the reason is that, from 1908 to 1940, Sears sold over 70,000 pre-fabricated, ready-to-assemble homes. During the Great Depression, because the company was also involved in mortgaging those houses, Sears found itself with a mountain of defaults. In a landmark decision, Sears decided to write off $11 million of those loans, thereby creating immense goodwill among the American public.

For those reasons, Seroco Paints hold a special place in the history of colors used on American homes in the first half of the twentieth century, which are now referred to as “”period” houses in many cases.

For Wood’s Sake!

Wood finishing played an unusual and important role in a recent house painting project. Nineteen years ago, when their townhouse was being built, the owners walked in and saw a massive, twenty-seven foot wood beam holding up the gable of their 2-story foyer/living-room space. They were excited at the thought that this beautiful beam would grace their new home.

Removal of Drywall from Beam Surfaces

Removal of Drywall from Beam Surfaces

When they came back at the end of the day to check on the day’s progress, the owners were shocked to see that the beam had been dry-walled to blend in with the ceiling. From that point forward, the owners quietly mourned the loss of their wood beam. They wondered if the drywall could ever be removed and their beam restored with an appropriate stain and varnish.

Restored Wood Beam - Stained and Varnished

Restored Wood Beam - Stained and Varnished

The owners recently called on Painting in Partnership to come out to look at some water damage around a few windows. In the course of the conversation, the owner confided in me about his long lost wood beam and asked what we might be able to do. I recommended that we test an area to see make sure that no glue had been used and that the drywall could be removed. Since that part of the house had not been painted in a long time, I also recommended that we not only refinish the beam, but also repaint the adjacent areas. The owners gave us the go-ahead with the project!

The testing revealed that no glue had been used and the drywall could be safely removed. The clients were delighted! We then added trim pieces on the edges of the beam to give a really professional look. After the staining was completed, we used a dead flat varnish to enhance the beam’s natural appearance.

A commitment to understand a client’s vision and desires for their home is part of what distinguish us as painting and decorating contractors in the Chicago area. Being of service in this way delights everyone involved in the painting project.

Clay Paint is Decorative, Eco-Friendly and Natural

Next week, Painting in Partnership’s craftsmen will be completing work on a green painting project. Because of the environmental sensitivities of this client, the specs called for only the cleanest of products. For the kitchen’s wall surfaces, we settled on Bioshield’s Clay Paint.

Clay is one of the oldest and safest building materials available. Clay paints create a pleasant room climate because of its breathability and its reputation as an odor reducer.

Sample of Clay Paint Colors

Sample of Clay Paint Colors

Bioshield’s clay paints are made of naturally occurring clays. Different clays provide color and body for the paint. Clay paints also have other advantages such as low drip and splash factors. Two coats will produce the best result.

In this case, our client wanted more than just a uniform color on her walls. To meet her need for a softly mottled look for her walls, we experimented with stainless steel trowels in the creation of clay paint decorative finishing technique. It consists of rolling one coat of the base color clay paint and letting it dry. We then roll a second of the same color and then, while still wet, we randomly brush on two other colors. Using a trowel, we then artistically blend the three colors for a soft, rich look.

This project is an example of Painting in Partnership’s commitment to our clients’ sophisticated needs for both a safe home environment and good color design.

Epoxy Wood Restoration is a “Green” Activity

“Green” paint products and practices are becoming an integral part of the arsenal of true painting craftsmen. For instance, epoxy wood restoration is one of those areas.

Before Epoxy Wood Restoration #1

Before Epoxy Wood Restoration #1

In the Northern United States, houses are subjected to an array of punishing climatic shocks that can result in the rapid deterioration of wood surfaces, unless someone keeps a close eye on the maintenance of those surfaces. Window sills, bottom rails of doors and casings are especially vulnerable to the effects of the sun, moisture and snow. Still today, a common attitude is this: If there is wood rot, rip out the old wood!

There are two significant problems with this attutude. First of all, it kills trees and loads up the landfills. Moreover, especially for older houses, the wood being so willingly replaced is actually far superior in quality and durability than today’s woods, which are younger, softer and more porous than the old woods. If you are interested in preserving the integrity of the materials on your house, epoxy wood restoration makes a lot of sense!

After Epoxy Restoration #2

After Epoxy Restoration #2

Epoxy wood restoration is not a new concept. However, it use is becoming more widespread. At Painting in Partnership from the Chicago area, we encounter plenty of rotting wood. Our product of choice is Flex-Tec.

I often compare epoxy repair to dentistry. First you clear out the decayed fibers. You then make sure that the remaining cavity is of a shape that can hold the epoxy filler. On occasion, the decay is so extensive that the tooth has to be replaced. In other occasions, epoxy is the perfect solution. Before proceeding with the epoxy work, make sure that the moisture in the wood does not exceed 18%. If it does, let the wood dry out. When the wood is dry, you first use a two-part consolidator to help harden the softer wood edges and create a good bond for the epoxy. You then add the two-part epoxy filler. You then shape the epoxy as desired and allow it to cure completely.

Collection of Vintage Photos from Chicago’s Elliott Paint & Varnish Comes Back to Town

Elliot Paint & Varnish Co. Circa 1930 (1)

Elliott Paint & Varnish Co. Circa 1930 (1)

Elliott Paint & Varnish Co. Circa 1930 (2)

Elliott Paint & Varnish Co. Circa 1930 (2)

Painting in Partnership’s reputation as a “custodian” of the painting industry’s past goes far and wide. A few weeks ago, we were contacted by a gentleman in Texas who had a collection of sixty three vintage photographs from an old-time Chicago paint company: Elliott Paint and Varnish Co., which was merged out of existence in the 1970s.

Lou Gehrig, 1930 Vintage

Lou Gehrig, 1930 Vintage

Upon agreeing on a price, Painting in Partnership became the owner of the photos and the collection came back to Chicago, its rightful place. Most of the photographs were taken by a famous Chicago studio called Apex Photographs Co. For instance, Apex took this photo from Lou Gehrig in the late 1920s.

Their work for Elliott Paint took place during the 1920-30s. They took shots of the exterior of the manufacturing facilities, loading docks, labs, offices, manufacturing process and warehousing. The collection gives a unique perspective on the different aspects of the paint manufacturing process during that time period. Three photos from the collection are attached for your viewing pleasure.

Elliott Paint and Varnish Co. was founded in 1897. It rapidly blossomed into a full line paint manufacturer. During the 1970s, it was acquired by Valspar, which had just moved

Elliott Paint & Varnish Co. Circa 1930 (3)

Elliott Paint & Varnish Co. Circa 1930 (3)

its headquarters from Rockford, Illinois to Minneapolis, following its merger of with Minnesota Paints, Inc. in 1970.

At Painting in Partnership, house painting contractors from the Chicago area, we believe that understanding our past as an industry is essential to empower our future. This is what moves us to collect and preserve painting memorabilia.