I would have any of his people over at my house for dinner!
- Lois Gries, ASID, Chicago
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The Restoration of a Hundred-Year-Old Chicago Oak Banister

Wood refinishing is one of our specialties as house painting contractors in the Chicago area. Starting in the mid-1930’s, it became fashionable to paint woodwork, in spite of the fact the wood may have been oak, cherry, walnut or even mahogany. Over the years, the accumulation of paint layers obscured and sometime obliterated the fine carving detail. In this blog post, I will tell you the happy story of the stripping and restoration of a three-story oak banister in a residence on Chicago’s Gold Coast area.

Banister After Wood Refinishing

As a painting and decorating company, we are blessed with having clients who consider their role as homeowners to be “custodians of their piece of history”. The client in this particular story fits that description exactly. The client had purchased this vintage residence earlier last year and embarked on a major renovation of the house. They had a clear concern for having the work done in way that preserved the integrity of the house and flattered its architectural features. One of those features was the banister for the three-story staircase in the center of the house. The wood had been coated in multiple layers of oil-based paint and the clients were dreaming of restoring the original beauty of their banister.

Banister Before Paint Stripping

Before launching into this project, they asked their builder to strip a small section to see what kind of wood was underneath. When it was determined that it was oak, the client was sold: strip it all and refinish the banister! Since the wood had originally been stained and varnished, the stripping process completely removed all trace of the paint. Still, much elbow grease was required to accomplish that result. The next step was to come up with a stain color that closely matched the newly refinished oak floor. The final result speaks for itself! Our client has received many enthusiastic comments from neighbors who lauded the new look of the banisters.

Having successfully completed our clients’ wood refinishing project, we will be doing the paint restoration to the metal surfaces on the façade of their building in the springtime. Another example of their “custodial view” is this anecdote. I informed them that the slate roof over the front bay window had previously been painted to match the color of the metal surfaces. When I asked them if they wanted to have the old paint removed to expose the original slate color, the answer was yes! We feel privileged to be part of the process of preserving and restoring the beauty of old buildings in the Chicago area!

Holidays, Family and Pets

At Holiday time, my family’s pets play an important role in our festivities. We include them in any way possible. Our dog Abby likes to dress up and pose for the camera. We give her many opportunities to showcase her talents. Below are three pictures we just posted on one of our boards on Pinterest . We call it the “Abby Christmas Trilogy. We hope you enjoy the pictures as much as we do.

On our Pinterest board on Pets, you can also see a picture of her in her business attire. After all, she is Painting in Partnership’s Staff Writer for the company’s newsletter column on pet safety!

Happy Holidays and a great New Year to all of you.

Abby’s Christmas Trilogy

Keys to Hand-Painting Kitchen Cabinets Professionally

Since the beginning of the last downturn in the housing market, refinishing kitchen cabinets has become a very worthwhile and cost effective alternative for consumers. There are numerous options. They range from toning previously stained/varnished cabinets to painting them and perhaps adding a glaze to accentuate the contours, with a lot of options in between.
An increasingly popular cabinet finish is the hand-painted look. Those are some of the most expensive cabinets in the market today. When hand-painting cabinets, brush marks are created, which is part of the appeal. However, the key for producing a professional result is to manage the brush marks, so that they are uniform, light and follow the grain patterns of the cabinet components, while avoiding blemishes such as sags and misses. Based on our long experience at refinishing cabinets in the Chicago area, here is a list of ten professional techniques we use to produce the best possible result.

Professionally Hand-Painted Kitchen Cabinets

– Use 350-grit sandpaper to avoid creating scratches.
– Since the primer and paint are likely to be waterborne, we recommend the use of a vacuum cleaner, instead of tack-cloth, to avoid
surface contamination after sanding.
– The profile of the cabinet doors will dictate the size brushes to use. Brushes as small as one inch may have to be used. Two-inch
brushes are the largest brushes we recommend. Larger brushes load too much paint on the surfaces.
– Four-inch mohair rollers can be used as paint applicators on flat surfaces., which are then lightly brushed out.
– A bonding primer should be used to ensure maximum adhesion and then lightly sanded.
– Maintaining a wet edge is critical during painting. Wiping off edges may be necessary to avoid creating overlaps.
– The primer and paint should be applied from the center panel, outward.
– Waterborne paints dry quickly. It may be necessary to strain the paint if debris is detected in the paint.
– Cleaning brushes every two or three hours will also reduce the risk of paint contamination from flaking paint.
– Use an abundant source of natural light when painting to ensure a uniform, flawless finish. It is important not to rush the process.

Refinishing kitchen cabinets is not only economical, but is also good for the environment. Producing a professional hand-painted look for cabinets adds panache and flair to your kitchen.

Being a Friend to Old Houses

As a painting and decorating contractor, we specialize in the historical restoration of the paint finishes of vintage buildings in the Chicago area. Many of the buildings we work on have not been designated as “historical landmarks” structures per se. However, their owners treat them as such. They view the preservation and beautification of their houses and buildings as part of their custodial responsibility. They are committed to do the right thing for their “piece of history”.

Building owners like these value the expertise and knowledge of professionals who can assist them in preserving their old houses. They would prefer to hold off for a while, rather than doing the wrong thing. Sometime, they are concerned about developing a more accurate and flattering color scheme and finishes. They are always concerned about preserving the original materials or authentically reproducing them when they cannot be saved. Longevity of the work performed is also very important to them. The trust they build in their service providers is critical.

Glessner House Christmas Fireplace Lighting Ceremony

One such owner has been our client for twelve years. Over twenty five years ago, they purchased an 1864 Victorian house in Chicago (survivor from the Great Chicago Fire) and completely renovated and restored it to its original splendor (and beyond). For this client, we have been their trusted custodians for the interior and exterior paint finishes, and wallcoverings. We just completed paint restoration to the elaborate mural in the powder room next to the kitchen. There were many nicks and an unsightly crack in a very visible spot on the mural. Now restored, the mural should be good for another twenty five years!

And then, there are those Chicago area buildings that are so extraordinary, they have been declared National Landmarks and turned into house museums or preserved for posterity in some other way. Such a building is the Glessner House on South Prairie in Chicago. When you have such stature, a building gets to have its own parties and commemorations. My wife and I attended such an event in early December. It commemorated the 125th anniversary of the first lighting of the house’s main fireplace. The evening was followed by dinner and a presentation by the house’s Curator on the life of Frances Glessner.

To us, working on such vintage buildings and historical homes is most satisfying and a true privilege. We look forward to working with clients who are such a friend to their “Old House”.

Creating Awareness about the History of Paint in America

As a Chicago area painting and decorating contractor for nearly twenty five years, I have always been fascinated by paint memorabilia and the history of paint through the ages. Over the years, I have accumulated a vast array of tools, equipment, signs, catalogs and publicity materials of different kinds.

During the last three years, I established a web presence to showcase my interest in paint memorabilia. That move helped me to get recognized as a custodian of the history of the paint industry in the United States. In April of 2010, I was contacted by a librarian at Valspar in Minnesota. Once headquartered in Rockford, Illinois, being an acquisition-minded company, Valspar purchased a number of prominent Chicago paint manufacturers, such as Elliot Paint, Chicago Paint Works (Chief Paint), Stetson, Enterprise, Armstrong to name a few. In the process, they inherited the paint catalogs these companies used to promote their different lines of paint, along with the promotional, point-of-sale materials, color cards, etc. When Valspar moved its headquarters to Minneapolis in 1970, that paint memorabilia collection ended up in storage there for forty years. When Valspar made the decision to move to a new Minneapolis location, that collection became extra baggage that needed to find a new home. This is when the story takes an interesting turn!

Presentation at the Glessner House in Chicago

Determined to find a reliable custodian for that very special collection, the Valspar librarian first contacted the Chicago History Museum to ascertain their interest. They turned down Valspar’s offer to donate the collection to them. Refusing to give up her quest, the librarian found me on the web and started a conversation that led to the transfer of most of the Valspar Collection of paint memorabilia to my custody. The story does not end there. In fact, the real story just began!

Among this memorabilia, was a bound collection of eight supplements to its newsletter that the Armstrong Paint Company produced and published in 1946-1947 to celebrate its upcoming centennial in Chicago. These supplements depicted the history of paint from the caveman, through antiquity, the colonies, the Industrial Revolution and the roaring 1920’s. It is a treasure trove of information, pictures and stories. I was so inspired, that I decided to develop a Powerpoint presentation on the “History of Paint in America” to tell the story of how paint evolved from mixing ingredients in the field to ready-made paint in cans. The story also highlights the major technological and socio-economic developments that made that evolution possible.

Since I developed that presentation, I have given it to seven different groups in the painting industry, interior design, architecture and the historical restoration field. Keeping history alive to inspire our future is what the “History of Paint in America” is all about. Thanks to Valspar and the Armstrong Paint Company for their essential contribution to this result.