Painting in Partnership gave us the perfection we are always looking for but seldom find. The creative, artful work truly completed our home.
- Tim and Joy Foster, Northbrook
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Archive for Historical Restoration – Page 2

How Often do you Want to Repaint a Victorian Multicolor House?

We just repainted a Victorian house, Circa 1885, for a new client in Chicago. When you see a house of this size and this level of detail, a question comes to mind: How often do you want to have to repaint a house like this? The answer is simple: The least often possible! The related question is: What can you do to extend the life of a paint job?

Chicago Victorian House Circa 1885

Depending on its size, its level of detail and the condition of its coatings and substrates, a Painted Lady’s paint job can cost between $20,000 and $50,000, sometimes even more. Because of its clapboard and extensive trim and millwork, a Victorian house is especially vulnerable to deterioration. Before having us start the painting project, the owners spent about $8,000 on carpentry repair work to the house. To minimize the future cost of carpentry repairs and prolong the longevity of the paint job, we recommend what we call “Maintenance Painting” to our clients. What does maintenance painting entail?

Maintenance painting consists of doing a close inspection of the coatings of a house, every couple of years. What do we look for: signs of failure in the caulking and coatings. When the coating or caulking starts to crack, it is an entry point to moisture, which gets trapped, rots the wood and causes paint failure. Once caulk starts to fail, the deterioration of the substrate and coatings accelerates rapidly. This is why early detection is critical to maintain the integrity of the paint job. We then do caulk and coating maintenance on those spots we detected. When we notice the beginning signs of wood rot, we also do epoxy restoration in those areas.

A homeowner needs the assistance of a dedicated painting and decorating contractor in order execute this periodic maintenance. The challenge is two-fold. One, owners are typically unaware of the importance of coating maintenance. Two, painting contractors do not seem to recognize the opportunity of offering this service to their clients. So, these expensive paint jobs are allowed to deteriorate, which adds to the future cost of the repaints.

The kind of coating maintenance we are talking about can cost between $500 and $1,500 every two years. The money saved in avoiding expensive carpentry repairs alone more than justifies coating maintenance. Our clients who own historic Victorian home or other “Period” homes in the Chicago area really appreciate this additional service we offer them.

Restoring One-Hundred-Twenty-Year-Old Corbels on a Chicago Building’s Facade

Antique Corbels – Before

In the 1880’s, it was common to adorn the façade of Chicago masonry buildings with a large wood cornice and corbels>/strong>. Our painting and decorating company recently did the restoration of such architectural elements in the Bucktown area of Chicago.

Over a long period of time and numerous coats of paint, the paint surface begins to develop small cracks in a pattern similar to the skin of an alligator. This paint phenomenon is known as “alligatoring”. If lead paint is present, which is highly likely for a building of that vintage, the alligatoring would take on more rectangular shapes. Once these cracks begin to develop, it makes the coating more vulnerable to water intrusion. After a few more years, the alligatoting begins to crack open and peal off. This is when paint accelerates and the wood becomes vulnerable to decay, since it is left open to the elements. The coating in our Bucktown cornice restoration project was in remarkably good shape, although it was badly alligatored. What steps did we take to restore this antique cornice and corbels?

Antique Corbels – After

First, we cleaned the surfaces by hand. Then, we scraped whatever paint would come off with carbide blades. We then primed the surfaces with an adhesive, high-built primer. We used this particular primer for two major reasons. First, the product is very thick and fills in all the alligatoring patterns and partially evens out surfaces where the paint came off. As a result, the appearance of the cornice improves substantially. More importantly, this primer has elasticity and adhesive qualities. It therefore impedes the progress of the alligatoring process. For those reasons, it is a go-to-primer in our historic restoration of wood surfaces. Finally, we used a high-built satin paint as a topcoat.

Improving the appearance and longevity of historic architectural structures and features is what our restoration work is all about.

The Challenges of Preserving the Colonel Palmer House’s Crown Moldings

This week, as paint restoration specialists from the Chicago area, we undertook work on a historical, 1858, Greek Revival and Federalist brick house built for Gustavus Palmer, a successful farmer and early settler in McHenry county. The house sits on its original corner lot in Crystal Lake, Illinois and still looks quite impressive. In 1985, the house was added to the National Register of Historical Places and the Park District is now responsible for the preservation of this special piece of McHenry county history.

Paint Failure on Colonel Palmer House – 1

Because of its design, the house has no gutters. The water drains over the large crown and dental moldings, and causes the paint to fail in a major way, thereby compromising the integrity of the original wood components of the building. As shown in the first picture, on the West side of the house, once the scraping process started, one hundred fifty five years of paint came off a twenty foot section of the crown. To preserve the wood, we used a product designed to restore wooden boats. The product is a Clear Penetrating Epoxy Sealer (CPES) known as “ The Rot Doctor ”. It seals the wood fibers and creates an ideal surface for paint to adhere to.

Paint Failure on Colonel Palmer House – 2

As shown in the second picture, the problem was more severe on the East side of the house. The water had rusted through the original nails holding the dentals to the base molding. The base molding had warped and pulled away from the upper crown. In addition to the CPES product, we used epoxy to fill the gaps and cracks in the wood. As a final step before caulking and painting, we applied a coat of high-built adhesive primer to all the trim elements of the building, including the window casings, which were original to the house. The crown moldings and window casings were seemingly made of old-growth wood, which survived in these hash conditions, without rotting for over one hundred fifty years. This wood is still hard as stone today! Wood like this deserves every bit of care we can muster to help preserve it for another century or more.

As you can also see in the second picture, since our painting and decorating company is EPA Lead-Safe Certified, the paint scraping process was done in compliance with EPA regulations. It involved setting up containment for the paint debris, sealing the windows, wearing protective garments, respirators etc., all this in 90 degree heat this week!

As a pioneer and early settler’s house, the Colonel Palmer house is quite remarkable by its size, style and quality of materials used in its construction. This was no shack on the prairie! It is well worth preserving for the generations to come.

Being a Friend to Old Houses

As a painting and decorating contractor, we specialize in the historical restoration of the paint finishes of vintage buildings in the Chicago area. Many of the buildings we work on have not been designated as “historical landmarks” structures per se. However, their owners treat them as such. They view the preservation and beautification of their houses and buildings as part of their custodial responsibility. They are committed to do the right thing for their “piece of history”.

Building owners like these value the expertise and knowledge of professionals who can assist them in preserving their old houses. They would prefer to hold off for a while, rather than doing the wrong thing. Sometime, they are concerned about developing a more accurate and flattering color scheme and finishes. They are always concerned about preserving the original materials or authentically reproducing them when they cannot be saved. Longevity of the work performed is also very important to them. The trust they build in their service providers is critical.

Glessner House Christmas Fireplace Lighting Ceremony

One such owner has been our client for twelve years. Over twenty five years ago, they purchased an 1864 Victorian house in Chicago (survivor from the Great Chicago Fire) and completely renovated and restored it to its original splendor (and beyond). For this client, we have been their trusted custodians for the interior and exterior paint finishes, and wallcoverings. We just completed paint restoration to the elaborate mural in the powder room next to the kitchen. There were many nicks and an unsightly crack in a very visible spot on the mural. Now restored, the mural should be good for another twenty five years!

And then, there are those Chicago area buildings that are so extraordinary, they have been declared National Landmarks and turned into house museums or preserved for posterity in some other way. Such a building is the Glessner House on South Prairie in Chicago. When you have such stature, a building gets to have its own parties and commemorations. My wife and I attended such an event in early December. It commemorated the 125th anniversary of the first lighting of the house’s main fireplace. The evening was followed by dinner and a presentation by the house’s Curator on the life of Frances Glessner.

To us, working on such vintage buildings and historical homes is most satisfying and a true privilege. We look forward to working with clients who are such a friend to their “Old House”.

Unique Chicago Paint Restoration Project Wins Three Awards in 2012

In the Fall of 2011, our painting and decorating company was chosen to execute a historical paint restoration project on the metal façade of this 1889 building, in the busy Lincoln Park neighborhood of Chicago. We knew from the outset that was a very project. However, we had no idea it would earn our company three top painting awards.

Chicago Historical Paint Restoration Project

The project involved a complete reinvention of a historical color palette for the building, which the ten owners had to approve. The execution of the work presented major challenges. They included meeting several layers of regulatory requirements, from City of Chicago ordinances, to OSHA and RRP rules, since the building was situated next to the sidewalk, power lines and required the use of five layers of scaffolding and a boom. The work involved the removal of a majority of the old coatings from the metal surfaces, the reproduction of many missing metal decorative ornaments and custom wood moldings. Having completed that work, we then primed the surfaces and painted them using a six-color historical palette. Painting the detailed metal elements of the two large bay windows was a little bit like painting by numbers. To ensure color placement accuracy, we had to number the color breaks from top to bottom.

The most prestigious award was the Grand Prize of the TOP JOB Awards from the American Painting Contractor magazine. We also won the Commercial Exterior Restoration Award in the competition organized by the Painting and Decorating Contractors of America (PDCA). We also most recently won the Grand Prize of “Chicago’s Finest Painted Ladies and her Court” competition, which the Chicago Paint and Coatings Association has organized for the twenty-sixth year.

As specialist in historical paint restoration, our biggest reward is to know that our clients were delighted with the result and that their building is now an inspiration to other owners in the area for restoring the original beauty of their own buildings.